Editors are categorised into genre i.e Commercial Editor, Feature Film Editor or TV Editor. You can also search for experience level which are divided into 3 categories; 2+ years / 5+ years / 10+ years
Amy Rosenberg - Film Editor
Meet Amy Rosenberg, an incredibly talented editor at post house Cut + Run. Amy entered the post world in a less conventional way, instead of starting as an assistant she built her visual style within a production company. She’s worked with brands like Calvin Klein, NFL and Meta and most recently the powerful Dove campaign 'The Code’ which highlights the dangers of bias AI versions of ‘beauty’ and how Dove is working to ensure ‘real bodies’ are represented. Amy’s story exudes passion and creativity and her work beautiful reflects exactly that!
Christen Skinner - Editor
Meet Christen Skinner, an Emmy award winning editor based in Boise, Idaho. Christen talks about how her dad always had the latest video camera Mac and the excitement of playing around with iMovie when she was younger. She also shares how important taking a career break was for her to help reignite her passion for filmmaking.
Lily Henry - Colourist
Meet Lily Henry, a Toronto-based Colourist working at Alter Ego Post. With credits including work for KFC, the Olympics and Furiosa: A Mad Max Saga, we’re delighted to share Lily’s career story. She speaks to us about the moment she realised she wanted to be a Colourist, as well as the important art of being good - and lucky.
Sofia Kerpan - Editor
Meet Sofia Kerpan, an LA-based editor who you might have seen take home Best Editor at the VMAs for Olivia Rodrigo’s ‘Vampire’. Working at Modern Post, Sofia talks about nurturing your reputation in the industry and emphasises the importance of never losing your people skills in the deep dark depths of the edit suite!
Jessica Elton - Audio Producer
Meet Jessica Elton, a London-based Audio Producer working with Forever Audio. We’re so delighted to platform Jessica’s career, focusing on the important work that happens outside of the edit suite and all of the managerial elements involved in bringing world class audio to our ears! Swipe through to read more about what Jessica does on a daily basis and how she worked her way up the ranks to get to where she is today!
Romany Rowell - Freelance Editor
Meet Romany Rowell, a freelance editor in London, UK, working on projects from social content to docs and more recently short films. Her background in motion design gives her really valuable skills in the cutting room and she gives great insight into her process. Enjoy Romany’s career story!
Emily Killick - Film and Animation Editor
Meet Emily Killick, a film and animation editor whose sheer tenacity (and of course talent!) has seen her carve out an amazing career as an animation editor. Based in Spain, Emily recently had her film Mummies nominated for Best Animated Film at the 2024 Goya Awards. She may be an expert in animation but her dream project would be a horror! A girl after my own heart. Enjoy Emily’s career story!
Harfun Li - Editor, Comedy
Meet Harfun Li a London based comedy editor, who’s story is exactly why Edit Girls exists and you’re going to love it! Harfun was awarded the BFE, Chris Crookall Award for Breakthrough Editor and is so deserving of the recognition. She talks about her experience as an entertainment and unscripted editor and how she’s pivoting her career to focus on scripted comedy, with The Office editor, Nigel Williams as her mentor. Enjoy Harfun’s inspiring career story!
Tobie Pettitt - Executive Audio Producer
Meet Tobie Pettitt, an Executive Audio Producer at London based Forever Audio. I’m so excited to share Tobie’s story as it gives a different perspective on a post production role from our usual editor focused stories. Tobie’s story shows how a producing role can be a brilliant mix of people skills, organisation and creativity. She’s worked with the likes of Idris Elba and Gerard Butler, not a bad career path in my book!!
Ashley Kreamer - Editor/ Partner
Meet editor and partner at Final Cut, Ashley Kreamer. Ashley started at the reception desk at Final Cut and has had an incredible 20+ year career there. She talks about how sound is ’the skeleton’ of your edit, the importance of not fearing 'the empty timeline’ and how despite originally wanting to be a documentary cinematographer she knew editing was for her because she got to be in a warm edit suite than out in the cold on set. I think many can relate! Her work is outstanding and a recent project for Dove ‘Cost of Beauty’ was nominated for an Emmy. Enjoy Ashley’s career story!
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